Amazon.com: Ambroise Thomas - Hamlet - Barcelona Opera.
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Natalie Dessay made her Covent Garden debut in 2003, as Ophelia. This is our cue to note that Thomas composed a special ending for his Hamlet when it was performed in London in 1870, in Italian (?!). On the video recording I have, Thomas’ Ham-let is sung by Thomas Ham-pson (very appropriate). Hampson is a baritone, not a tenor (as we might expect for this part), nor a counter-tenor (to make.
Natalie Dessay's collection of coloratura mad scenes from Italian, French, and American opera is culled from a variety of previous high-profile releases of recitals and complete operas, so avid fans of the soprano aren't likely to find new performances here, except perhaps Glitter and be gay, from Candide, from the 1997 EMI disc Centenary Gala at Glyndebourne.
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Both the Hamlet (British baritone Simon Keenlyside) and the Ophelia (French soprano Natalie Dessay) from that production recreate their roles at Covent Garden and they are reason enough to attend. Keenlyside not only makes a dashing and virile young prince, but, more importantly, he possesses a superb, rich baritone instrument that projects effortlessly. Add to that a natural and unaffected.
Natalie Dessay, the soprano, descended a staircase into the rehearsal room at the Metropolitan Opera with the poise of a countess entering a ballroom, dressed in skinny black pants, high heels.